( Brief ) - ( Crew ) - ( Bericht 1999 ) - ( Flötenpädagogik 2000 ) - ( Die Refernten ) - ( Bericht 2000: Boswil lebt ! ) - ( Event 2001 ) - ( Bericht Event 2001 ) - ( Fotos Flöten Forum 2001 ) - ( Moyse TOTAL 2002 ) - ( Fotos Moyse TOTAL 2002 ) - ( Flötenpädagogik 2003 ) - (Flötenpädagogik 2004 ) - ( Flöte Aktuell 2005 ) - ( Cartoons ) - (Interview James Galway) - ( What you always... ) - ( Links ) - ( Kontakt )

 

Flötenevent vom 29./30.Sept 2001 in Boswil Schweiz.

Meisterklasse mit Pierre-Yves Artaud

Es ist uns eine grosse Ehre, dass Pierre-Yves Artaud bei uns Meisterklasse am Samstag und Sonntag, und ein Konzert am Samstag geben wird.

First Prize for flute and First Prize for chamber music at the Paris Conservatoire, Pierre-Yves Artaud has played all over the world as a soloist or with ensembles as the Trio à Cordes de Paris of Arditti

Quartet. He has also performed with vamous orchestras under the direction of P. Boulez, P. Eotvos, J.C. Casadesus, A. Tamayo, A. Louvier, and L. Foster.

He has been part of Ensemble 2e2m for many years both as a soloist and as Associate Artistic Director.

Professor of flute at the Paris Conservatoire National Supérieur de Musique, he is also director of several collections and has compiled several teaching methods and treatises. He has organized numerous masterclasses: Taiwan, Japan (Èlisabeth University of Music in Hiroshima, Akiyoshidai festival), Korea, Great Britain, Spain, Italy, Portugal, and Germany, and has worked on important researches about flute, particularly at the Ircam in Paris where he was put in charge of the Instrumental Research Workshop un P. Boulez from 1981-1985.

As a performer, teacher, or in the field of research, Artaud has been playing an important part in the development of the art of the flute, as much for the interpretation of classical music as for the creation of modern music, with many composers writing specifically for him.

Artaud was awarded the Grand Prix for interpretation of French contemporary music by the Sacem (1982), the Prix Charles Cros for the Artaud/Ferneyhough record (1983), and Grand

Prix de l'Académie du Disque franç (1984), and the Prix Charles Crox (1985) for the Artaud/Taïra record, and the Japanese Grand Prix for the Hosokawa record. He shares with Takemitsu the chairmanship of the Tokyo Franco-Japanese Festival of Contemporary Music.

 

Forum neue Stücke von komponierenden Flötisten / Innen.

Es werden neue Werke in diversen Konzerten vorgestellt.

Anlässlich des 3. Flötenevents vom 29. / 30. Sept. 2001 in Boswil bieten wir komponierenden Flötisten / Innen die Gelegenheit, Ihre Werke einem breiten Publikum zu präsentieren. Spieldauer max. 15 min. Berücksichtigung nach Eingang und Absprache. Gerne erwarten wir Ihre Kontaktnahme.

 

Flötenpädagogik

"Spass an der Arbeit" mit André Bernhard.

 

Ist der Flötenkopf wirklich Klangentscheidend?

Vergleiche verschiedener Materialien verschiedenster Hersteller.

Holz - Silber - Rotgold - Weissgold - Platin - etc.

 

 

( Brief ) - ( Crew ) - ( Bericht 1999 ) - ( Flötenpädagogik 2000 ) - ( Die Refernten ) - ( Bericht 2000: Boswil lebt ! ) - ( Event 2001 ) - ( Bericht Event 2001 ) - ( Fotos Flöten Forum 2001 ) - ( Moyse TOTAL 2002 ) - ( Fotos Moyse TOTAL 2002 ) - ( Flötenpädagogik 2003 ) - (Flötenpädagogik 2004 ) - ( Flöte Aktuell 2005 ) - ( Cartoons ) - (Interview James Galway) - ( What you always... ) - ( Links ) - ( Kontakt )